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The Benedictine Monks of Santo Domingo de Silos in Spain Chanting (2)
Track listing:
1. "Puer Natus Est Nobis": Introit (Mode VII) -- 3:36(0:00)
2. "Os Iusti": Gradual (Mode I) -- 2:49(3:35)
3. "Christus Factus Est Pro Nobis": Gradual (Mode V) -- 2:39(6:25)
4. "Mandatum Novum Do Vobis": Antiphonal And Psalm 132 (Mode III) -- 1:41(9:04)
5. "Media Vita In Morte Sumus": Responsorio (Mode IV) -- 6:11(10:46)
6. "Alleluia, Beatus Vir Qui Suffert": Alleluia (Mode I) -- 3:10(16:57)
7. "Spiritus Domini": Introit (Mode VIII) -- 3:46(20:07)
8. "Improperium": Offertorio (Mode VIII) -- 2:36(23:55)
9. "Laetatus Sum": Gradual (Mode VII) -- 2:17(26:30)
10. "Kyrie XI A": Kyrie (Mode I) -- 1:06(28:48)
11. "Puer Natus In Bethlehem": Ritmo (Mode I) -- 1:58(29:53)
12. "Jacta Cogitatum Tuum": Gradual (Mode VII) -- 3:34(31:51)
13. "Verbum Caro Factum Est": Responsorio (Mode VII) -- 4:04(35:28)
14. "Genuit Puerpera Regem": Antiphonal And Psalm 99 (Mode II) -- 2:56(39:31)
15. "Occuli Omnium": Gradual (Mode VII) -- 3:21(42:28)
16. "Ave Mundi Spes Maria": Sequenza (Mode I) -- 4:18(45:50)
17. "Kyrie Fons Bonitatis": Trope (Mode III) -- 4:00(50:10)
18. "Veni Sancte Spiritus": Sequenza (Mode I) -- 2:42(54:09)
19. "Hosanna Filio David": Antiphonal (Mode VII) -- 0:42(56:50)
Released March 15, 1994
Recorded 1973
Genre Gregorian chant
Length 58:26
Label Angel
Producer Maria Francisca Bonmati
The monks of Santo Domingo de Silos have been singing Gregorian chant since the 11th century (before that, they used Mozarabic chant). In the nineteenth century the French monks of Solesmes Abbey played a part in the reestablishment of Santo Domingo de Silos after the Ecclesiastical Confiscations of Mendizábal. The Solesmes style of singing plainsong has influenced the Spanish monks.[2]
Sources agree that the album includes material recorded in the 1970s. According to the Gregorian Association, Chant consists of recordings made 1972-1982.[3] According to Allmusic, a seminary in the Spanish city of Logroño invited the monks to record a vinyl album of chant in order to popularize it among churchgoers.[4]