In the early 1980s, Georges Rousse photographed abandoned places, slated for demolition, populated by human figures which he then painted himself. From 1984 onward, he turned to abstraction. His photographs from 1989 present sophisticated installations created using reflective surfaces, mirrors, and glass. With the Embrasures series (1987), Rousse offered a different exploration of space, tracing a hieroglyphic script on walls and floors...