Francis and Michael are brothers living in Canada and sons of Caribbean immigrants from Jamaica. In the summer of 1991, the young men immerse themselves in the hip-hop scene of Scarborough. When his childhood sweetheart Aisha returns to their neighborhood for the first time in 10 years, Michael is forced to reconsider a family tragedy. Growing up as young black boys in a neighborhood prone to gang violence and police brutality, his older brother Francis had to be Michael's best friend, protector and even parent at the same time, because their single mother worked shifts as a nurse. As they grew older, Francis and Michael parted ways, but the unconditional love between the brothers and their mother continued. The film uses a non-linear structure, switching back and forth between the boys' childhood, their teen years leading up to and the lingering aftermath of Francis' death, all building toward the ultimate revelation in the film's climax of how Francis died. Although the film doesn't explicitly address LGBTQ themes in dialogue, a key scene toward the end of the film depicts Francis being physically intimate with his friend Jelly, suggesting that some of his emotional issues around their father's absence from their lives stem from being either gay or bisexual.