Performed by: Nat Shilkret Orchestra & Phil Dewey
Full Song Title: Dream Train
Recorded in: 1929
Unfortunately there is no information available about Phil Dewey (vocalist), if anyone could fill in the gaps I would be grateful, thank you!
Nathaniel Shilkret (December 25, 1889 – February 18, 1982) was an American composer, conductor, clarinetist, pianist, business executive, and music director.
Shilkret was born in New York City to a musical family of Austrian immigrants. His father played a number of instruments, and made certain that Nat and his three brothers were all accomplished musicians at an early age. Older brother Lew Shilkret was a fine pianist, but also worked in the insurance industry. Younger brother Jack Shilkret had a career that paralleled Nathaniel's career: he played clarinet and piano, recorded extensively, and conducted and played piano on the radio and in motion pictures. The youngest brother Harry Shilkret was a medical doctor, who worked his way through school playing trumpet, and continued to play trumpet frequently in Nathaniel's orchestras, particularly for radio broadcasts, long after he was a practicing allergist. Nathaniel Shilkret's brother-in-law, Nathaniel Finston, was violinist in many organizations in his youth and was musical director for Paramount and later for Metro-Goldwyn-Mayer, at one time being Nathaniel Shilkret's boss.
Shilkret was a child prodigy, touring the country with the New York Boys' Orchestra from the ages of seven to thirteen as their clarinet soloist. From his late teens to mid-twenties he was a clarinetist in the best New York music organizations, including the New York Philharmonic Society (under Vasily Safonov and Gustav Mahler), the New York Symphony Orchestra, the Metropolitan Opera House Orchestra, the Russian Symphony Orchestra, Victor Herbert's Orchestra, Arnold Volpe's Orchestra, Sousa's Grand Concert Band, Arthur Pryor's Band, and Edwin Franko Goldman's Band. He was also a rehearsal pianist for Walter Damrosch, playing for stars that included dancer Isadora Duncan.
In 1926 he became "director of light music" for Victor. He made thousands of recordings, possibly more than anyone in recording history. His son Arthur estimated the sales of these records was of the order of 50 million copies. He was the conductor of choice for many of Victor's innovative recordings. He conducted Victor's first record made by the electrical process, the first commercial Victor Long Playing record (in 1931) and was the first conductor to successfully dub an electrically recorded orchestra background over the recordings of Enrico Caruso, Victor's star artist, who died in 1921, before electrical recording was developed. The premiere recording of George Gershwin's symphonic poem An American in Paris, in 1929, was one of five conducted by Shilkret that eventually earned Grammy Awards.
He was also one of radio's earliest stars, estimating that he made over 3000 broadcasts between 1925 and 1941, including being the conductor for The Eveready Hour, regarded as the first major commercial broadcast and the first major variety show. His sponsors included Camel, Carnation, Chesterfield, Esso, Eveready, General Electric, General Motors, Hires Root Beer, Knickerbocker, Lysol, Maxwell House, Mobil Oil, Palmolive, RCA Victor, Salada tea and Smith Brothers' Cough Drops.
He composed and arranged thousands of pieces. His best-known popular composition was "The Lonesome Road", first sung by co-writer Gene Austin and later by Jules Bledsoe (dubbing Stepin Fetchit) in the final scene of the 1929 part-talkie film version of Show Boat, and recorded by more than two hundred artists, including Louis Armstrong, Bing Crosby, Frank Sinatra and Paul Robeson. He composed the theme song "Lady Divine" for the Academy Award winning film The Divine Lady in 1929. He also composed the theme song "Some Sweet Day" for the film Children of the Ritz in the same year. His composition "Jeannine, I Dream of Lilac ...